Here some excerpts:
The Tube 800’s construction is solid and up to the same standard set by the company’s other heads. I have a good amount of experience with the brand, and a Markbass amp has never failed on me at a gig.
Interior construction is orderly and dense, and the hardware on offer is not luxurious, but it’s rugged and skillfully assembled.
One cool feature: The Markbass has two inputs, each with an associated gain control. While the amp does not have a two-channel preamp, it does allow a player to plug into each input and use them simultaneously. One of the inputs is a Neutrik Combo jack with switchable phantom power—perfect for a condenser mic or some upright pickups.
In fine Markbass tradition, the Little Mark Tube 800 proved itself a value-packed, versatile, and portable companion that did everything well. Check it out—less for the negligible tube preamp, and more because it’s voiced slightly outside the Markbass midrangey norm. Regardless, for the price, it’s deserving of a close look for a do-it-all, gig-bag-portable head.
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Markbass artist Lorenzo Feliciati plays "Unchained Houdini" from his new album "Elevator Man".
Here is another solo by Markbass top-artist Michael League from Snarky Puppy and his Markbass Casa signature amp. Video by Simon C.F. Yu | 2nd Camera by Nikki Birch
We're very proud to have her in our family!
On this video Michael League from Snarky Puppy plays a solo on his old Fender Precision using his Markbass Casa signature head.
Markbass artist Alberto Rigoni gets in the Halloween spirit with his arrangement of the Ghostbusters theme.
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Markbass artist Alberto Rigoni official video from his last album Duality.
Markbass artist Franck Hermanny plays hi own arrangement of Georgy Porgy, in Loving Memory of the Porcaro Brothers (Jeff and Mike) from the band Toto.